Thursday, 17 June 2010

Bucks Open Studios

It's half way through the annual Open Studios in Bucks - here are a few photos of my studio at Commercial Square...

It's never been tidier!!!
We are open 11 to 5pm on 17, 18, 19 ,20, 26 and 27 June - the address is:

Commercial Square Studios
Block C
Leigh Court
Leigh Street
High Wycombe
HP11 2RH

Thursday, 3 June 2010

Photographic Slides from the 1920s and 30s


Oak in graphite and alumium foil and powder (above)

Corsican Pine, reproduced from photographic slide (left)

I've had some fabulous glass photographic slides for a while now, wondering just what to do with them. They are beautiful in their own right but have been difficult to use, in that they do not photocopy, scan or project. Of course I could use them to print photographs from in a traditional dark room, but I wanted more from them.

So I've used 48 of them to create a light box installation that is 3 metres wide and 9 cms high. I love it.

Then I've used the images, which are all negatives, to draw from. It's very different drawing these from drawing the actual trees - you notice different things about the form and space and the light is transformed. As always I am using reflective materials in some of the work - graphite, aluminium and gold foils - plus inks and anything else that occurs to me.

I photographed the slides on a makeshift light table which resulted in some fascinating images - not evenly lit, but rather enhanced by the concentration of the light source. My digital camera has settings for monochrome etc and some I photographed in black and white, and some in glowing colour, which shows as a range of sepia and gold tones. Now I can print them as they are - in amazing quality considering their provenance - and play around with them digitally.

Friday, 22 January 2010

Making music



When my father died I found all his sheet music, going back to the 1920s when he was a pupil of Miss Lee in Scholes, nr Holmfirth, learning the pianoforte, spanning the years when he played the piano accordion as a young man (it was the guitar of the time), and right up until his death at 85 when he played the organ.
I don't play any keyboard, but desperately wanted to do something with the music so I saved it until such time as I found the right way to use it in my artwork.
Recently I have been making 2D relief pieces where I take each bar of music and score along the lines of the staves, then fold the bar into something ressembling a matchstick.

I think they're rather beautiful, and the bars of the different pieces of music are vastly varied - slow music with long notes has short bars, fast music with demi semi quavers (?) has long bars.

Once I have made the series of matchstick bars, then I turn them vertically and place them on prepared boards - either smooth gesso or worked graphite - they are reminiscent of organ pipes.
The resulting artwork maintains a link with the original music, both physically and conceptually, despite the form being subverted by presenting vertical bars of music.
Some of These Days
closeup






Schubert's Piano Concerto in Bflat - provisonal layout

St Louis Blues

Thursday, 4 June 2009

And a few oil sketches/paintings of Southern Ireland

Landscapes are something I don't often do, but a trip to Crookhaven last year made me want to reproduce some of the beauty of that place.









Monday, 1 June 2009

Colours of Peru


These are a few sketches from my trip to Peru - primarily I went to walk the Inka Trail with my daugther, but we also went to Lake Titikaka. Above all else I was impressed by the wonderful colours!






















Saturday, 2 May 2009

More pictures from Pinewood Studios























The residency at Pinewood gave me the opportunity to create new work based on an entirely different theme.

I started with the photos I took and produced a book of those - some of them are shown above. I had been promised a display wall in Theatre Seven to show my work and the photographs also form part of this display.
Much of my work involves light - and the medium of film intrigued me - I took a 'can' of film and played around with it, using it for its aesthetic qualities not for movie projection. Photos of the results are posted here. The film reflects as well as projects leading to interesting composite images.
The relationship with Pinewood is ongoing with ideas for projection on to the outside of the Bond stage and a larger display of film 'canvasses' with special lighting.
More information is shown on the Art Works for Business site http://www.artworksforbusiness.co.uk/latest-news/pinewood/






Saturday, 26 July 2008

Pinewood Residency

Earlier this year I visited Pinewood Studios in Iver Heath, Bucks to observe and record my impressions of the Studios. Here are some favourite images. I used some discarded 35mm film (from the film Virtual Sexuality) to make some work that plays with the format - using what is intended to produce the moving image for its own aesthetic properties.
















Whilst there I took hundreds of photos and made lots of drawings. Some of these I used to make digital images, but my favourite images are some photographs I took in the back lot around the huge blue screen. This is massive and stands behind the outdoor water tank where anything from Bond to Wolfman is likely to be filmed. When it is not used the tank more closely ressembles a car park with a waist high barrier around it - and, of course, the blue screen. When the ground is wet reflections of this screen give the whole area a blue cast and it makes for some very interesting images.